I need to preface this with the statement that I love a
superhero and have since I started reading comics way back when. I am going to make
social comment, and reference the Marvel and DC universes as well as those of
2000ad (my later staple). The Boys is the antidote to the moral rectitude of
the traditional superhero, and this is a good thing.
Think about all of the traditional superheroes, they all
have a moral compass that points pretty much rigidly north. That rigidity is a
consequence of a transformation brought about by a series of life-changing events
or because of the tuition of a wise but entirely mortal elder. Peter Parker's
uncle Ben, Ironman sees the effect of his weapons, Jor-El, Superman’s father.
They are the tropes of ascension to a higher good.
Super-Villains on the other hand diverge from this positive
transformational path by dint of similar but negative situations, and without
the background guiding compass, and or a perversion (for want of a better word) of their id by the imagined persecution of themselves or their dreams and
ambitions, the death of a loved one, or in simple setups, they are already a
criminal who acquires powers. Doc Oc, Mr (or Dr) Freeze, have something taken
from them, their single point of focus sets on rectifying a past wrong or
undoing a tragedy that turns them against the wider world, or sets them on acquiring
the one thing they can’t obtain by legal means to fix their past. Or they try
to bring about a positive transformation of their present regardless of the
cost to society. In Lex Luther’s case, its ego and the fact that there is
someone out there who can thwart him in spite of his wealth or genius. General
Zod is motivated by revenge. I tend not to give much credence to the nihilist “wants
to destroy all of creation/the universe villains” … it just leads to Dues Ex
Machina moments, that are frankly bollocks.
As an aside in recent times, the movies Spiderman No Way
Home, Dr Strange in the Multiverse of Madness, and the Disney series WandaVision
blur the line a little whereby the lead characters try to bend reality to their
will to rectify a wrong and cause catastrophic fallout that they then have to
try and fix (but I digress). If you look at the two paragraphs above clearly,
supervillains are actually the more complex characters.
Spider-Man: No Way Home
Doctor Strange in the Multiverse of Madness
WandaVision
The superheroes of The Boys, diverge from both of these
paths because they are as we discover; manufactured by Compound V, a legacy of
Nazi experimentation to create and or augment the master race with superhuman
powers. I don’t think there are any spoilers here, after all we are on Season
three.
The Boys are (for those who don’t know) the entirely
human anti-heroes trying to expose superhero corruption, led by Billy Butcher
(Karl Urban, who played Judge Dredd in the movie adaptation Dredd 2012, that
was by many leagues better than the Sylvester Stallone movie Judge Dredd from 1995).
If you want full cast details for The Boys go and look here https://www.amazon.co.uk/The-Boys-Season-1/dp/B0875VNF4W and or half a dozen other web resources elsewhere.
Dredd (2012)
The superheroes in the boys differ because they are made.
Vought their creating company, has brought Ex-Nazi scientists to America post
war to develop their ideas to fruition for one assumes the greater good and
profit … but eventually just profit. There are no guiding principles for these
superheroes created by stealth by the Vought Corporation (you need to watch the
series for the detail). Some of the children created by the program go on to
develop incredible superpowers. Homelander being the equivalent of Superman,
but for the fact that he has no moral compass, and considers humans as expendable trash, however,
like a greek god of old he needs hero worship to validate him in a world where
he can do whatever he likes with impunity. It is smart, how the creators have
made a god on the one hand who on the other hand is a petulant, spoilt, needy
turd of a child … who by the way has no qualms whatsoever about committing casual
murder.
So, three seasons in, two episodes into season three, I
decided I needed to write something about The Boys. Season One took you by
surprise because it took the traditional image of the superhero and pulled it
through the looking glass. An accidental manslaughter by a superhero of an innocent
bystander opens a can of worms, that shows the effect of the collateral damage
caused by superpowers in use. Interestingly in Batman v Superman: Dawn of
Justice, this aspect of the use of superpowers was alluded to by Ben Affleck’s Batman.
Put simply there must have been hundreds if not thousands of collateral deaths
and injuries caused by Superman’s fight with General Zod; but the viewer only
gets to see the heroic saves in the traditional superhero format … though that
is the point is it not? We saw similar critique by authorities in the aftermath
of the Age of Ultron and Hulks Rampage and fight with Ironman. Had these issues
not been addressed as negatives there would have been a supersized
elephant in the room forever.
Avengers: Age of Ultron
Batman v Superman: Dawn of Justice
In The Boys, Vought just pays people off, spins a yarn and
controls the narrative with corporate zeal. Season two, the middle season where
we get to see the crossed threads and where the real power resides up in the boardroom.
And now Season three.
I am tentatively going to say that if the gore continues throughout
the series as it has in the first two episodes, then the entire series is going
lose its way as a gory schlock-fest, which will be a great disservice to the story
overall. However, as a reset and to emphasise the reality of what the world
would actually be like with a population of superheroes and supervillains, it
does drive the point home.
So, I have spoken of the superheroes. What about our entirely
human antiheroes, the protagonists? They are almost to a man as ruthless and
evil as the alleged heroes. They, spy, entrap, blackmail, coerce, steal and
murder. And this is where The Boys wins ... our protagonists should be
the villains for trying to undermine the heroes, but the heroes are so awful
when out of the limelight that you want them taken down.
If you haven’t watched The Boys but have a need to cut
through some of the last decade and a bit worth of standard Superhero movies; quite often in my opinion beautifully rendered realisations of comic books
then, The Boys is for you. It’s not an either-or situation. You can love Superhero
lore, and still get a massive kick out of watching the more plausible scenario,
of a corporation dealing in pharmacology, Media, Movies, Theme Parks and Lobbying being at the
core of exploiting their products, and the adoration of entirely ignorant masses who
just cleave to celebrity.